Now we’re going to take a trip. Every night we’ll have a new room, but always with the twin beds as close as possible to each other, and we’ll talk a long time before going to sleep. We’ll stay in bed late every morning. We’ll eat in dining cars, and so that nobody will recognize us I’ll call you Miss Fork. You, you’ll call me Mr. Knife, and people will think we’re a Spanish couple on our honeymoon.
(Source: better-villains)
Behold the glorious spectacle of Charles Phoenix and his Astro Easter Tree of Peeps, ”a styrofoam tree covered in tin foil and populated with colorful marshmallow Peeps. It’s the Easter version of his Astro Weenie Christmas Tree.”
(If Charles Phoenix looks familiar to you, it might be because several months ago we posted about his magnificent Meat Crèche.)
[via Laughing Squid]
It’s Awesome Easter Preparation Day on Geyser of Awesome!
When you grow up as a girl, the world tells you the things that you are supposed to be: emotional, loving, beautiful, wanted. And then when you are those things, the world tells you they are inferior: illogical, weak, vain, empty. The world teaches you that the way you exist in it is disgusting — you watch boys cringe backward in your dorm room when you talk about your period, blue water pretending to be blood in a maxi pad commercial. It is little things, and it is constant. In a food court in a mall, after you go to the gynecologist for the first time, you and your friend talk about how much it hurts, and over her shoulder you watch two boys your age turn to look at you and wrinkle their noses: the reality of your life is impolite to talk about. The world says that you don’t have a right to the space you occupy, any place with men in it is not yours, you and your body exist only as far as what men want to do with it. At fifteen, you find fifteen-year-old boys you have never met somehow believe you should bend your body to their will. At almost thirty, you find fifteen-year-old boys you have never met still somehow believe you should bend your body to their will. They are children. They are children.
— Stevie Nicks (via whisperingwordsofwisdom)
To be born, a woman has to be born within an allotted and confined space, into the keeping of men. The social presence of women is developed as a result of their ingenuity in living under such tutelage within such a limited space. But this has been at the cost of a woman’s self being split into two. A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another….One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object — and most particularly an object of vision: a sight.
—
John Berger, Ways of Seeing
(via melodily)




